ASH ELIZA SMITH



Art + The Machine / 2025

Fluids, Flights, Feathers

Co-created and hosted by Ash Eliza Smith + Robert Twomey

Live radio theater + cinema
Premiered January 23, 2025 · Sheldon Museum of Art, Lincoln, Nebraska

A wide view of the full stage: performers, musicians, microphones, and multiple screens. A masked performer and reader appear both onstage and in the large live projection above them.
Expanded cinema and live radio theater at the Sheldon Museum of Art, 2025.

Fluids, Flights, Feathers is an expanded cinema and live radio theater work by Ash Eliza Smith and Robert Twomey. Live voices and a musical score move through projected drawings, flocks, and imagined flying machines.

Leonardo da Vinci’s bird studies and speculative flying machines provide a starting point for the work. Community writing, artist-authored texts, and contributions from researchers meet on a stage where the act of making the performance remains visible.

Staged at the Sheldon Museum of Art in Lincoln, Nebraska, the performance connects bird behavior and fluid dynamics with the stories people tell about technological progress. Flight can carry a promise of freedom. It can also become a way of watching from above. Wind moves through the work as both a physical force and a medium for stories, from the movement of a flock to seeds carried across a field.

Performance excerpt

Performance excerpt · 3:12 · Ash Eliza Smith + Robert TwomeyWatch on Vimeo ↗

Co-created, produced, directed, and hosted by Ash Eliza Smith and Robert Twomey. With the Osher Lifelong Learning Institute community and the project’s artists, performers, and researchers. Full project credits and acknowledgments ↓

AI writers’ room with the Osher community

Before the evening performance, Smith, Twomey, and their team convened an AI writers’ room with members of the Osher Lifelong Learning Institute (OLLI) at the University of Nebraska–Lincoln. In the participatory theater workshop, community members learned to prompt generative AI and worked together to write a new short radio play inspired by Leonardo da Vinci.

The writing moved from the workshop into the public performance that same evening. Participants could also choose to take the stage as readers. Their contribution appears in the program’s Da Vinci + AI section, bringing the OLLI community into the work as co-writers and performers.

Four readers stand together with printed scripts and microphones while their live image fills the screen above them.
An ensemble reads together beneath a live projection of the stage.

Hosting, banter + live improvisation

Ash Eliza Smith speaks into a microphone with one hand raised, with projected imagery behind her.
Ash Eliza Smith hosting at the Sheldon Museum of Art, 2025. Frame from the performance edit.

Fluids, Flights, Feathers brings an AI writers’ room into live radio theater and cinema. Co-created and hosted by Ash Eliza Smith and Robert Twomey, the work combines material developed with the Osher Lifelong Learning Institute community with written scenes, a live score, and projected imagery. Smith and Twomey’s banter and improvisation connect the sections, weaving the evening together as it unfolds.

Smith and Twomey host the work from within the performance. Their recurring banter and live improvisation carry the audience between the pieces, making space for shifts in subject, voice, and rhythm. These exchanges are part of how the work is composed in the room: the hosts pick up threads from one section and carry them into the next, weaving the evening together.

Ash Eliza Smith and Robert Twomey face each other across their microphones, with a live projection behind them.
Ash Eliza Smith and Robert Twomey co-hosting the performance. Frame from the performance edit.

The stage becomes a shared workspace. Scripts and sound equipment remain in view as live narration moves alongside recorded voices and generated imagery. The microphone passes between performers, and the changing voices reshape the work.

Jim Schroeder’s live score, with contributions and live performance from Hank Ball and live audio mixing by Marina Kushner, gives the spoken scenes a changing sonic environment. Close-up cameras bring the act of speaking into the projected image, placing the performer inside the world being described.

A performer in a bright green costume speaks at a microphone in front of projected geometric lines.
Live performance with projected geometric imagery.
A reader speaks into a microphone in front of a projected flock.
Reading with projected bird imagery. Frame from the performance edit.

Performance sequence

Ten named sections give the performance its structure. Smith and Twomey’s hosting and improvised exchanges run between them, connecting community writing, artist-authored scenes, and contributions on birds and fluid dynamics.

  1. Da Vinci Was a Speculative DesignerText by Ash Eliza Smith; performed by Olli Jenkins
  2. Birding While IndianWith Tom Gannon
  3. Drawing as a Mode of ApprehensionText by Robert Twomey; performed by Elaina Franzen
  4. Da Vinci + AIDeveloped in the AI writers’ room with the Osher Lifelong Learning Institute community
  5. Flying MachinesBy Lincoln Graham
  6. Surveillance + FashionBy Olli Jenkins and Elaina Franzen
  7. Wind: Fluid MediaBy Sam Bendix, with Adam Larios
  8. The Social Lives of BirdsWith Dai Shizuka
  9. Murmurings on the WindBy Sam Bendix
  10. Wind SeedsBy Hannah Romell
A seated reader speaks at a microphone beneath a blue projection of equations and birds. Musicians and other performers sit on either side.
Spoken performance with projected equations and bird imagery.

Art + The Machine

Commissioned by Nebraska Public Media, this adaptation of Smith and Twomey’s ongoing Radio Play project was created for Art + The Machine at the Sheldon Museum of Art. The event responded to the PBS documentary Leonardo da Vinci, directed by Ken Burns, Sarah Burns, and David McMahon.

The workshop and evening program brought together community participants, artists, students, and researchers. Da Vinci’s studies became an invitation to work across art and science, using the tools of the present to try out what a future might sound like.

A closer view of musicians and a reader in profile beneath orange and white geometric projections.
Live musicians and a reader beneath geometric projections.

Event documentation

Event film · Nebraska Public MediaWatch on YouTube ↗

Credits + acknowledgments

A co-production of the Speculative Devices Lab and the Machine Cohabitation Lab.

Co-created, produced and directed by

Ash Eliza SmithSpeculative Devices Lab, Johnny Carson Center for Emerging Media Arts, University of Nebraska–Lincoln

Robert TwomeyMachine Cohabitation Lab, Department of Visual Arts, UC San Diego

Live hosts and improvisation
Ash Eliza Smith
Robert Twomey
AI writers’ room

Led by Ash Eliza Smith and Robert Twomey with the project team.

Co-created with members of the Osher Lifelong Learning Institute at the University of Nebraska–Lincoln, with participants also joining the evening performance.

Sound design and composition
Jim Schroeder
Contributions and live performance
Hank Ball
Live audio mixing
Marina Kushner
Producer
Maggie NelsonNebraska Public Media
Project team

Reid BrockmeierLive performance, video, camera switching

Sam BendixWriter, performer, generative AI and cinema visuals, audio editing

Olli JenkinsWriter, performer

Elaina FranzenWriter, performer

Lincoln GrahamWriter, performer

Wyatt DebbanCinematographer

Hannah RomellWriter, performer, cinematographer

Kylie MullerEditor

Contributions to the performance

Tom GannonBirding While Indian

Adam LariosWind: Fluid Media

Dai ShizukaThe Social Lives of Birds

Nebraska Public Media video-short credits
Producer / editor
BJ Huchtemann
Lead videographer
Sage Reiger
Videographer
Colleen Kelley
Field audio
Ryan Messman
Finishing editors
Mac Nelsen
Ian Edgington
Audio sweetening
Werner Althaus
Additional video
Wyatt Debban
Production audio mix
Marina Kushner

Additional video courtesy of the Johnny Carson Center for Emerging Media Arts.

Presented by

Nebraska Public Media
Sheldon Museum of Art
Osher Lifelong Learning Institute (OLLI) at UNL
Johnny Carson Center for Emerging Media Arts at UNL

With support from

Johnny Carson Center for Emerging Media Arts
Nebraska Public Media
Sheldon Museum of Art
Department of Visual Arts at UC San Diego
Osher Lifelong Learning Institute at the University of Nebraska–Lincoln

Special thanks

To the workshop participants and performers from the Osher Lifelong Learning Institute at UNL.

Event poster titled Fluids, Feathers, & Flight: Codex ex Machina, with a dark flock forming a shape above a field.
Original event announcement for the January 23 performance.